皮膚裡的空房間-鄭睿

有時候，陽光只是靜靜地落在房裡，風穿過窗簾，空氣輕輕流動。這是一層可以被感知的厚度；不是一面隔絕世界的玻璃，而是身體與光、風、時間之間，那條柔軟、無聲，卻最真實的邊界。這或許才是建築最原始、純粹的意義
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Sometimes, light simply falls into a room. The wind moves the curtain, and the air drifts softly past your face. This is a thickness you can feel – a silent boundary where body, light, and time meet. The glass does not shut out the world; it becomes a quiet membrane that listens and breathes. Here, walls are no longer solid lines of division, but gentle surfaces of negotiation. Each panel opens slightly to let the breeze in; each shadow shifts to hold the warmth of the afternoon. Architecture becomes a place where you pause, noticing how the edge of sunlight cuts across the floor, how the air cools your skin, how your own stillness changes the room. It is in these small, invisible movements that space finds its meaning – not as shelter or form, but as an intimate conversation between the self and the world it lives within.

從空地到種地——池袋本町都市計畫道路中的未來交配實驗

From Void to Seedbed: A Cross-Pollination Experiment in the Planned Road of Ikebukuro-Honcho

Rn+1＝Rn＋δn（0<δn<Λn）｜留保の設計(Rn+1＝Rn＋δn（0<δn<Λn）｜保留式設計)

Rn+1＝Rn＋δn（0<δn<Λn）｜Retention Design

心築

Mental Constructed

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這個計畫從一個微小的觀察出發——陽光、風、氣溫與影子的變化，其實才是真正構成我們對空間感知的基礎。但在現代建築的實作中，這些日常而直覺的經驗似乎常常被忽略。當立面被壓縮成一層標準化的玻璃皮膚，空間便成了一個封閉、恆溫、去感官的容器。

我試著反轉這個邏輯，將「感知」作為設計的出發點，重新思考立面的角色。它不只是建築的外皮，而是一層厚度，是環境與身體互動的界面，甚至是空間的起點。我發展出一套空間生成系統，透過可開啟的面板、可調整的簾幕與可回應的界面，讓光線與空氣自由進出，同時也牽動人們的行為與位置。

為了實驗這套系統，我選擇了台南香格里拉飯店作為基地。這座高聳、封閉的玻璃塔如都市中的孤島，長期與環境隔絕。透過設計介入，我讓它成為一座可感知的建築——三種設計單元依據日照與方位在立面上形成表情，人在其中移動、停留、遮蔽，成為建築變化的主導者。

這不是一種造型的設計，而是一種從日常經驗出發，試圖以「厚度」重構建築與感官之間關係的提案。它不為了控制，而是為了回應。也許建築的邊界不必只有牆與玻璃，也能成為有呼吸、有溫度的空間。
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An Empty Room Beneath the Skin
This project begins with a simple observation: light, wind, temperature, and shadow are the true foundations of spatial experience. Yet modern buildings often seal these elements out, reducing façades to thin layers of standardized glass and turning space into closed, climate-controlled boxes.

In response, I reimagine the façade not as a surface, but as a thickness—an interface between body and environment. I designed a responsive system using operable panels, adjustable screens, and porous layers that invite light and air to shape movement and behavior.

I tested this on the Shangri-La Hotel in Tainan—a sealed tower disconnected from its surroundings. Through design, I turned it into a building that breathes. Three types of façade units respond to orientation and sunlight, while people inside become part of its shifting expression.

This is not a design of form, but of feeling—a proposal to reestablish the connection between architecture and the senses through depth, response, and daily experience.

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